5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color-calibrated from the factory to ensure accurate image representation.

Recording Codecs Including Raw over HDMI

Record Apple ProRes and ProRes Raw with select cameras at rates up to DCI 4K60 and up to 120 fps in HD

Enables ProRes Raw capture with smaller, more cost-effective, mirrorless cameras

Avid DNx compatibility enables wide camera and editing software compatibility

Bright 5" Display with AtomHDR

Display ten+ stops of dynamic range of your camera's log image with AtomHDR

1920 x 1080 display with 1000cd/m² brightness for daylight viewing

10-bit color processing and user calibration

Supports custom LUTs

DSLR and Mirrorless Camera Support
Compatible with virtually any HDMI or SDI source including cameras from:
ARRI, Canon, FUJIFILM, Nikon, Panasonic, RED, Olympus, Sony, and Z-CAM

4K 60p Capabilities
Record DCI or UHD 4K at rates up to 60 fps, including 24 and 25 fps for a more filmlike aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.

SSD Recording
Record to standard 2.5" SSD drives or to compact AtomX SSDmini drives offering up to 2TB storage. SSDmini drives offer read speeds up to 550 MB/s and write speeds up to 500 MB/s, capturing up to 150 minutes of 4K video on a 1TB drive.

User Calibration
Calibrate with the separately available X-Rite i1 Display Pro tool to maintain optimal color accuracy.

Anamorphic De-Squeeze
The Ninja V supports anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with 2x, 1.5x, 1.33x, or Panasonic 8:3 ratios.

Selectable Markers
A wide variety of frame lines include standard versions plus 1:1, 4:5, 1:91:1, and 9:16 options.

Game Capture
Simple, standalone solution for UHD 4K, HDR, and high frame rate game capture and review.

Audio Input/Output
Input/output audio via HDMI or add external audio via the 3.5mm Line In/Mic In port; output audio using the 3.5mm headphone port for convenient audio monitoring.

Optional Expansion Modules

AtomX SDI Module for 12G-SDI input and output and HDMI/SDI cross conversion

SDI Raw activation key

AtomX SYNC for wirelessly synced, timecoded multicamera capture

Atomos Connect 4K for HDMI to USB conversion for streaming up to 1080p60

**Note: SDI Raw is not supported on Sony FS700, F5, and FS5 cameras.

Supported Log Formats

ARRI Log C

Canon C-Log, C-Log 2

FUJIFILM F-Log

JVC J-Log

Nikon N-Log

Panasonic V-Log

RED LogFilm

Sony SLog2, SLog3

HDR Recording (Gamut)

ARRI Log CEI160, CEI200, CEI250, CEI320,

ARRI LogCEI400, CEI500, CEI640, CEI800

ARRI LogCEI1000, CEI1280, CEI1600

Canon C-Log, C-Log 2, C-Log3

FUJIFILM F-Log

HLG

JVC J-Log1

Nikon N-Log PQ10K

Panasonic V-Log

RED LogFilm, RG310, RG312

Sony SLog2, SLog3

HDR Monitoring (Gamma)ARRI ALEXA Wide Gamut

BT.2020

Canon Cinema, DCI P3, DCI P3+, BT2020

JVC LS300

Nikon N-Log PQ10K

Panasonic V-Gamut

Rec.709

RED DRAGONcolor, DRAGONcolor2

REDcolor2, REDcolor3, REDcolor4

REDWideGamut

Sony S-Gamut, S-Gamut3, S-Gamut3.Cine

Sony SLog2, SLog3

HDR Monitoring (Gamut)

ARRI ALEXA Wide Gamut (mapping to Rec709/BT.2020/DCI-P3 on loop-out)

BT.2020

Canon Cinema

DCI-P3, DCI-P3+

Panasonic V-Gamut

Rec.709

RED DRAGONcolor, DRAGONcolor2

REDcolor2, REDcolor3, REDcolor4

REDWideGamut

Sony S-Gamut, S-Gamut3, S-Gamut3.Cine